Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Master of Virgo inter Virgines
Crucifixion

ID: 89340

Master of Virgo inter Virgines Crucifixion
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Master of Virgo inter Virgines Crucifixion


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Master of Virgo inter Virgines

Netherlandish Painter, active 1470-1520  Related Paintings of Master of Virgo inter Virgines :. | Portrait of the painter Gainsborough Dupont | View of the Gulf of Salerno | Details of Madonna and Child with the Young Saint John | Study of Princess | Bernardino della Ciarda Thrown Off His Horse (detail) wt |
Related Artists:
Ellen Bernard Thompson
American , 1876-1936
Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
CRIVELLI, Carlo
Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,






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